• Home
  • Previous Posts
  • Mobile
  • RSS

June 01, 2013

FRIDAY FAVORITES

“New York City,” Uzimon

The artwork for “Lennon Bermuda” hints at the fragility of the archipelago most see as an island. It also foretells a harrowing tale of a long-ago voyage from Newport, R.I., to Hamilton, Bermuda, made by Lennon, whose music has been newly interpreted in a two-week-old collection. “New York City,” a longtime favorite of this listener on the underrated, September 1972 record “Some Time in New York City,” appears among the new album’s 34 songs, performed as reggae music by Uzimon. When John Lennon, Yoko Ono and the Plastic Ono Band recorded “Some Time in New York City,” co-produced with Phil Spector in March 1972, they had made New York their home for about 19 months. Lennon was being hounded by the F.B.I. and facing problems over his citizenship status. The timing for discovery of Bermudan Uzimon’s “New York City” performance on “Lennon Bermuda” could not have been better. New York is hot and humid — and still home.

— Valerie Seckler

One tale of John Lennon’s Newport, R.I., to Hamilton, Bermuda, voyage: “There’s No Place Like Nowhere,” (John Lennon, Bermuda, 1980) from Yoko Ono’s Imagine Peace archive/Rhode Island Monthly: http://bit.ly/146czfy

(Source: Spotify)

Tags: music Spotify

May 24, 2013
Yankee Stadium Winners
Favorite spots and experiences at Yankee Stadium since the ballpark in the Bronx opened in 2009. — Foursquare list and photos by Valerie Seckler

Going to a baseball game at the new Yankee Stadium can bring on a bout of sensory overload. The experience is something akin to visiting an amusement park. Visual and audio stimulation is neverending. Music plays. Flashback footage and video games cross the massive outfield screens. Ads flashing lights and colors zip around the Stadium decks’ facades. Baseball game broadcasts by John Sterling and Suzyn Waldman on WCBS radio accompany trips to restrooms and to food stands, where flat screens monitor the action on the field.

Since the 2009 season, the one the Yankees organization tagged the venue’s inaugural season, the volume has returned to a reasonable level in the Stadium’s high-quality JBL speaker system. Commercials no longer blast relentlessly between half-innings. Less than one season of loud griping by fans and the media moved Yankee Stadium game days closer to the pastoral feeling imparted by blue sky, sun, and green grass, a momentary departure from their urban setting.

Fans come and go from their seats with greater frequency than in the old Yankee Stadium. There’s so much more to do and see. There’s an expansive team store, filled with tempting merch. There’s a Yankees museum. That’s just the beginning.

— Valerie Seckler

Tags: yankee stadium new york yankees babe ruth john sterling Suzyn Waldman foursquare geolocation social media

May 17, 2013

FRIDAY FAVORITES

“Rock Show,” Paul McCartney and Wings

Joining the audience for “Rockshow: Wings Over America” at Chelsea Clearview Cinema in Manhattan Thursday was a bit like going to a Paul McCartney concert. Pre-movie buzz about Macca and his music wafted in the air. A McCartney T-shirt, here, a Beatles T-shirt, there. The audience for the one-time screening skewed older than live McCartney concerts of the 2000s, mostly Baby Boomers.

“Rock Show,” the second song in Rockshow’s run of dozens, blasts off the 2 hour, 21 minute movie screened this week for the first time to the general public. The raucous rocker, tightly played on camera, seamlessly bridged the space between its appearance on Wings’ 1975 album “Venus and Mars” and the staple it’s been in McCartney’s recent concert tours. “Rockshow” The Movie captures performances in Los Angeles and Seattle during the 1976 tour Wings Over America. 

Enlivening performances like “Rock Show” throughout the film appear as if played before a single audience, the sound quality and volume a dynamo. A funky, bluesy “Venus and Mars” songbook anchors the music, which in two-plus hours ranges from “Band on the Run” and then-new “Wings at the Speed of Sound,” to songs of The Beatles, Simon & Garfunkel, and Wings/“Rockshow” guitarist Denny Laine’s Moody Blues.

— Valerie Seckler

Soundcloud via http://facebook.com/PaulMcCartney and http://clashmusic.com

DVD release of the 2013 live concert film “Rockshow” documenting the band’s “Wings Over America” tour: June 10. http://bit.ly/111S1PE

Tags: SoundCloud Paul McCartney Rock Paul McCartney Linda

May 04, 2013

FRIDAY FAVORITES

“Dead Flowers,” Willie Nelson, Keith Richards, Ryan Adams, Hank Williams III

A surprise present for a passionate popular music fan, Willie Nelson and friends’ “Dead Flowers” popped up on the 80th birthday of the country music legend Tuesday. Wrapped in is another surprise, Keith Richards blazing through a hot rocking version of a mellow Rolling Stones song — from a low-key Stones album, “Sticky Fingers” — which flashes plenty of country in the rock.

This appearance of “Dead Flowers” in YouTube is one of a few unexpected treats dished up by the Stones and Nelson since the 1970s. Two favorites:

A pop-up concert by The Rolling Stones at the Palladium in June 1978, one in a tight tour the band staged in smaller venues. It would have been missed but for spotting police standing on the roof of the back side of the Palladium, on 13th Street in Manhattan. A quick hop to the sidewalk near the theater’s 14th Street entrance revealed mysterious tickets on sale, said to be for an unpublicized Stones concert that night. A quick check for cash — pre-ATM revolution — produced an infusion from friends and two tickets. Vintage: “Some Girls.”

[“Disco, Progressive Rock and Comebacks Were ‘78 High Notes,” Note 5:  http://bit.ly/123gPLg]

Serendipitously seeing Willie Nelson and Waylon Jennings perform live in a dusty Texas club, only because the Dallas-area venue (whose name escapes) was recommended for music, during a reporting swing through the Lone Star State. Nelson and Jennings each played a set. Though this listener’s appreciation of country music had yet to develop circa 1978, the night was notable. Vintage: “Waylon & Willie.”

[“Willie Nelson and Friends Perform at Jersey ‘Picnic’ ’’ http://nyti.ms/13cfl1q]

— Valerie Seckler

Video: YouTube via @kvox

Tags: willie nelson keith richards waylon jennings the rolling stones dead flowers palladium sticky fingers

May 01, 2013

Q+A: Evan Carroll

image

What means most to people deciding on disposition of their digital assets after their own life ends?

For Evan Carroll, founder of The Digital Beyond, the emphasis is on the personal. Social media content, for example. A consultant and author of “Your Digital Afterlife,” based in Raleigh, N.C., Carroll’s perspective could seem counterintuitive. Entrusting inheritors with sensitive digital documents like financials might loom larger than bequeathing social media content that is largely shared in the first place. As estate attorney Suzanne Brown Walsh, principal at Cummings & Lockwood, observes, “Accounts exist to create an expectation of privacy.”

The notion that personal digital content and assets are prime for the passing along also departs from the longtime, low value survivors typically place on estate items such as photographs and letters. One exception would be letters, photos, postcards and other ephemera in the estate of a celebrity.

Digital property rights after an owner’s death is emerging as a concern because intellectual property and estate matters “don’t often intersect,” Walsh explains. “We are at the point people are aware this is a big issue…a very complicated area.”

Secklerism: What, if any, plans of your own have you made for your digital assets?

Evan Carroll: I keep a list of passwords available to my heirs. I’ve had conversations with them and they know about my wishes and who should handle my digital assets. I’m still in my 20s, but when I do my will (probably within the next year) I’m planning to include language about my digital assets.

Secklerism: Is there any difference in degree of interest and difficulty in protecting and passing along social media assets, compared with other digital assets, like email and online documents?

Evan Carroll: Assets like online documents, financial records and website accounts are fairly non-controversial. Assets like email and social media, which contain a richer, and perhaps more personal, record of the deceased are more contentious as some feel that they want these assets to remain private. The difficulty varies because the terms of service and policies of each provider are different. It’s important to note, however, that most account passwords can be reset if you have access to the decedent’s email account. In this way, email acts as a master key helping to gain access to other online accounts.

Secklerism: What action is underway, addressing the rights to digital assets of the deceased, beyond the five states now allowing people to pass along their passwords and account access to inheritors? [These states are Connecticut, Rhode Island, Oklahoma, Indiana and Idaho.]

Evan Carroll: Here’s a current list of laws and states considering laws — Digital Estate Resouce map: http://bit.ly/13LDEmp [Also see Secklerism, March 13, “Living a Digital Afterlife,” on pending digital rights legislation in Virginia. Estate attorneys such as Walsh in Connecticut and Naomi Cahn, Harold H. Greene Professor of Law at George Washington University in Washington, D.C., expect Virginia Gov. Bob McDonnell to sign the bill into law by this summer.]

Note: Even as some U.S. locales start granting citizens rights to legally designate heirs to digital accounts and content, corporate service providers like Facebook, Google and Microsoft may have user agreements that preempt third-party access to decedents’ digital assets.

Tags: digital assets Evan Carroll email photos facebook google Microsoft Your Digital Afterlife identity

April 27, 2013

FRIDAY FAVORITES

“So Good To Be Here,” Boz Scaggs

Boz bridges the space between “Silk Degrees” and “My Time,” doing his self-described Al Green. A sultan of soul, Scaggs slipping and sliding smoothly through “So Good To Be Here” also reminds of “Rhythm Country and Blues.” The 11 songs on that 1994 album blended the sounds of two musical genres indigenous to America, R&B and country, much as master of cool-with-an-edge Boz does in a funky and mellow mood on his new album, “Memphis.”

“I very much copied Al Green’s approach to this song,” Scaggs says simply in a bonus commentary track in Spotify. “I make no bones about it. Al Green is one of my great heroes.”

“So Good To Be Here,” released in March on “Memphis,” was recorded at Royal Studios, a choice the singer describes as a direct tribute to the Memphis studio, its musicians and producer Willie Mitchell. Originally appearing on Al Green’s 1973 album “Living For You,” the third song on Scaggs’s new album affirmed this listener’s appreciation of both artists. While Boz says he was going for much of the original sound of the Al Green/Perry Allen penned composition, the Steve Jordan production on “Memphis,” flashing Royal musicians, brought to mind another one — Green’s “Look What You’ve Done For Me” from the 1972 album “I’m Still in Love With You” [http://bit.ly/10jiM1F].

— Valerie Seckler

(Source: Spotify)

Tags: music spotify

April 19, 2013

FRIDAY FAVORITES

“I’m Down,” Paul McCartney

When Paul McCartney pulled into town in 2009, and a ticket to the Summer Live ‘09 concert at Citi Field nested comfortably in this concertgoer’s wallet, desires to hear Macca and the band perform specific songs were few. Specifically, three. “I’m Down,” the unbridled McCartney vocal on the flip side of The Beatles “Help” single in the U.S.; “I Saw Her Standing There,” one of The Beatles’ rockingest, and “Rock Show,” from the McCartney and Wings album “Venus and Mars.”

PMc delivered the first two, which happen to chart among personal all-time Beatles faves.

When McCartney, Rusty Anderson, Paul Wickens, Abe Laboriel Jr., and Brian Ray ripped into “I’m Down,” audience shrieks and screams so loud and strong rippled through Citi Field, it felt as if the pandemonium that long ago engulfed The Beatles at Shea Stadium could be reprising. Sir Paul was in great voice that July night. During “I’m Down,” it rang out with passion and clarity, recalling Little Richard’s shouts, with exuberance, once more.

The electric moment played again in the mind’s eye today, as concert tickets went on sale for McCartney’s Out There tour stop at Barclays Center, two nights to come in his third swing through New York City in five years. Third borough too, with Brooklyn’s new arena the setting after performances at Yankee Stadium in The Bronx in 2011, and in Queens at Citi Field. Notwithstanding a surprise set atop the Ed Sullivan Theater marquee in Manhattan, two days before the Citi Field opener.

— Valerie Seckler

Friday Favorites draws songs from some of this listener’s favorite first music albums and more. This play stems from another first, a first-ever Paul McCartney concert attended.

Video source: YouTube

Tags: Paul McCartney I'm Down The Beatles Out There Barclays Center Citi Field

April 17, 2013

REIMAGINING POSSIBLE

image

By Valerie Seckler

Okay, doubters, skeptics, cynics. AT&T Mobile is a wireless telecom provider people love to hate. A Facebook friend bemoaning the fate of her newly departed mobile phone spawned a lengthy conversation thread, weaving one storyline berating AT&T smartphones as a must to avoid. Few defended the smartphones of AT&T, a brand formerly linked to Ma Bell, long since departed caretaker.

Following the death on April 10 of a 2012 vintage 4G AT&T BlackBerry Bold 9900, service given by this year’s AT&T varied by location. Social media managers at AT&T provided excellent assistance in replacing the broken smartphone. A nearby AT&T wireless boutique just north of Union Square, where service is usually helpful and timely, did not deliver. Staff wouldn’t honor Asurion insurance or enable replacement under an early upgrade policy in a current phone contract. A big, airy, service center with comfortable lounge seating did not foretell the poor service to come at that AT&T Device Support Center on West 32nd Street in Manhattan.

5 Things I Learned in Replacing an AT&T BlackBerry Smartphone

1. Social media ruled. @ATTCustomerCare’s response to a help request Tweeted from @vaseckler came inside an hour. Simple and direct. “Sorry, I’ll try to help,” read the Tweet on April 11 at 10:01 a.m. AT&T solicited further details via email. The 58-minute response time took the middle ground in social media responses to calls for help. Some replies come in well less than 30 minutes; others in more than a day. An April 11th Tweet from @vaseckler at 9:05 a.m., noting the support center “could use a service upgrade,” got things started.

2. First responders aren’t necessarily the problem solvers. AT&T’s Facebook responded shortly after @ATTCustomerCare and ran with it, bringing the deal home [AT&T Facebook: http://on.fb.me/175sdIn]. A clear, responsive, helpful and effective member of the AT&T Social Media Team, Catherine immediately offered to check replacement options through corporate ordering and/or partnering with a local store manager. FedEx delivered a new 4G AT&T BlackBerry Bold 9900, four days (two business days) later. The long wait was offset by a replacement price south of $100.

3. You never really know who your friends are. Repeated screen display darkening sharply limited the AT&T BlackBerry Bold’s use. A login fail knocked it out. After examining the smartphone and explaining it would need to be replaced due to display darkening, an AT&T Device Support Center employee returned it and asked that I log in. Then she blamed this customer for the mobile device’s login fail. She claimed I’d tried 10 times to log in, triggering the fail. Not so. Declining to help further, the support center employee advised a call to Asurion or to AT&T’s customer service at 611, looping back to the usual starting point.

4. AT&T wireless shops sometimes nix people’s requests to replace their broken smartphones by using the Asurion insurance they recommend. This customer’s citation of Asurion’s $6.99 monthly fee for insurance covering the broken AT&T BlackBerry Bold mobile device met with a sales consultant’s response that purchase of the goods at AT&T’s East 17th Street store is not covered by Asurion’s third-party policy. When reminded AT&T recommended and facilitated the purchase of Asurion insurance for this customer at the very East 17th Street shop, the sales consultant resumed talks about replacement terms.

5. Flexibility in early upgrades can be limited, zapping a policy intended to bring good prices for new smartphones before phone service contracts expire. An early upgrade for the broken 4G AT&T BlackBerry Bold 9900 was due in August. AT&T’s Union Square shop would only advance its upgrade/replacement provision to July. That’s after being informed that the mobile device broke due to no fault of this owner. As for cost, $425 was the best the local AT&T wireless boutique quoted for a new BlackBerry Bold 9900, $125 shy of the full $550 price.

Tags: smartphone ATT mobile BlackBerry Social media Facebook Twitter

April 12, 2013

FRIDAY FAVORITES
“Back to Georgia,” Kenny Loggins with Jim Messina

With round two of the Masters tournament in swing in Augusta, Georgia, “Back to Georgia” surfaces as a Friday Favorite from the memorable Kenny Loggins and Jim Messina album “Sittin’ In.” Molasses slow acceptance of women at Augusta National, aside; female members now said to number two, one of them former Secretary of State Condoleezza Rice. [“Five More Women Who Should Don the Green Jacket,” U.S. News & World Report: http://bit.ly/16SSadW]

“Back to Georgia’s” countrified funk is uplifting and warming on a rainy, chilly spring day in New York, sunshine from an album recorded in the summer of 1971, according to Wikipedia. “Sittin’ In” went on to become a hit with a crowd of Camp Algonquin friends on Summit Lake in rural Argyle, New York, in the summer of 1972.

To these ears, the bright, brilliant sound of songs like “Back to Georgia” on “Sittin’ In” remains a ping, a sweet shot. When it was released, the album sat on a north/south divide of sorts. Some embraced it, others mocked it as lightweight fluff.
— Valerie Seckler

Friday Favorites draws tunes from some of this listener’s favorite first music albums. Listed in Spotify, Favorite Firsts now number 40. It’s tricky picking them. So many favorites turn out to have been a second or third or some other album, and not a first. Wannabes like Esperanza Spalding’s Radio Music Society; Yankee Hotel Foxtrot, Wilco; Nevermind, Nirvana; The Speckless Sky, Jane Siberry; Joan Armatrading; Ghost Writer, Garland Jeffreys; The Spinners; Back Stabbers, The O’Jays; Every Picture Tells A Story, Rod Stewart; ABC, Jackson 5, and Sounds of Silence, Simon & Garfunkel.

(Source: Spotify)

Tags: music spotify

April 05, 2013

FRIDAY FAVORITES
“Blinded By The Light,” Bruce Springsteen

“Greetings from Asbury Park, N.J.,” is a loaded title for a Friday Favorite. One that’s filled with surprise.

Bruce Springsteen burst onto the Columbus, Ohio, scene in December 1972. He appeared as a last minute replacement, along with Buddy Miles, for Deep Purple who’d cancelled their performance. Buddy was the headliner, but the crowd buzzed about Springsteen. A bolt of energy, a ball of fire, Bruce Springsteen was the talk after the concert that I lucked into with high school pal Terry Moore, during winter break from college. Clad in skinny jeans, black leather jacket, and sneaks, dancing and prancing around the stage, his performance and the debut album that followed in January made Greetings an easy pick for favorite first music albums, the opening song a Friday favorite. [See Secklerism, April 4.]

Joy, determination, humor, irony, all meet up in “Blinded By The Light,” often compared with the music of Bob Dylan back in the early 1970s, despite its energized rock and rhythm. It’s especially rewarding returning to Springsteen’s Blinded, after Manfred Mann’s Earth Band’s baroque version prevailed on the airwaves. Mann’s take topped the Billboard singles chart for one week in February 1977, unlike Springsteen and the band’s, which didn’t hit big.

When Columbia records released “Greetings From Asbury Park,” Jim Croce’s “Time in a Bottle” sat atop the Billboard singles chart. The following week, “You’re So Vain,” by Carly Simon, was number one, a spot it held for three weeks until Stevie Wonder’s “Superstition” wrested it. Next up, Elton John’s “Crocodile Rock,” which hit number one for three weeks in February 1973, the month Springsteen’s “Blinded By The Light” came out as a single. Folk and funk.
— Valerie Seckler

Friday Favorites draws tunes from some of this listener’s favorite first music albums. Listed in Spotify, Favorite Firsts now number 40. It’s tricky picking them. So many favorites turn out to have been a second or third or some other album, and not a first. Wannabes like Esperanza Spalding’s Radio Music Society; Yankee Hotel Foxtrot, Wilco; Nevermind, Nirvana; The Speckless Sky, Jane Siberry; Joan Armatrading; Ghost Writer, Garland Jeffreys; The Spinners; Back Stabbers, The O’Jays; Every Picture Tells A Story, Rod Stewart; ABC, Jackson 5, and Sounds of Silence, Simon & Garfunkel.

(Source: Spotify)

Tags: music spotify

Next »

About

portrait

Secklerism focuses on the intersection of media, popular culture, and marketing — and parts thereof. It is eyeing the media’s evolving presence, as new channels emerge to inform and entertain. With marketing mania ensconced in nearly every aspect of our lives, Secklerism also is tracking images and messages marketers are creating, and the blurring line between editorial content and advertising. What’s new, provocative, inspiring, surprising, annoying, or just plain intrusive.

Contact

Comments, questions, tips, loves, hates?
Give Secklerism a shout at: secklerism@gmail.com

Follow business journalist Valerie Seckler's Twitter feed at twitter.com/vaseckler.







A curated collection of previously published work by Valerie Seckler can be found at The Secklerism Archive.

Visit the archive at:
www.secklerismarchive.com

Favorites

Tuneage
"Everyone deserves good music"

Paul McCartney

SmarterCities
"Let's build a planet of smarter cities. Together."

The Green Room

ACGears
"Get gadgets. Give Love."

Latest Tweets

Follow me